Las óleos de todo Rogier van der Weyden

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96292

A Man Reading

circa 1450(1450) Medium oil on oak panel cyf

9858

a Portrait of the Virgin Mary, known as St. Luke Madonna

1435-40.Oil on wood Museum of Fine Arts, Boston,

9866

Altarpiece.Ordination

Marriage,and Extreme Unction.

57284

Angel messenger

mk255 for in the years 1435-1440. 0.86 x 0.93 meters canvas. Paris, the Louvre

9877

Beaune Altarpiece interior showing the Last Judgment

1450. Oil on panel partially transferred on canvas. Musee Hotel-Dieu, Beaune, France

85148

Braque Family Triptych

Date c. 1450(1450) Medium Oil on oak panel cjr

91590

Braque Family Triptych

1450 Medium oil on oak panel Dimensions 41 x 68 cm (16.1 x 26.8 in) cyf

92128

Braque Family Triptych

1450(1450) Medium oil on oak panel Dimensions Height: 41 cm (16.1 in). Width: 68 cm (26.8 in). cyf

41321

Christ Appearing to His Mother

mk161 Tempera and oil on wood 25x15

91984

Christus on the Cross with Mary and St John

1460(1460) Medium oil on oak panel cyf

93668

Crucifixion

1440s Medium oil on oak panel Dimensions Height: 77 cm (30.3 in). Width: 47 cm (18.5 in). cjr

21198

Crucifixion in a Church (mk08)

c.1445 Tempera on wood 200x97cm Antwerp, Koninklijk Museum voor Schone Kunsten

9868

Crucifixion Triptych

1445.Oil on panel Kunsthistorisches Museum,Vienna

9869

Crucifixion Triptych

St. Veronica

89479

Crucifixion Triptych

1445(1445) Medium oil on oak panel cyf

39640

Crucifixion triptych with SS Mary Magdalene and Veronica

mk150 c.1440 Oak,central penel 96x69cm

9853

Deposition

1435-40 Oil on panel. Museo del Prado Madrid, Spain

40183

Deposition

mk156 c.1435 Oil on panel 220x262cm

55936

Deposition

1435-40,oil on oak panel,86.5x102.125 in,220x262 cm,museo del prado,madrid,spain

33429

Descent from the Cross

mk86 c.1435-1440 Tempera on wood 220x262cm Madrid,Museo del Prado

61602

Descent of Christ from the Cross by Rogier van der Weyden

Descent of Christ from the Cross by Rogier van der Weyden (c.1435) Oil on oak panel, 220 x 262 cm Museo del Prado, Madrid

61604

Detail of Roger van der Weyden The Seven Sacraments

Detail of Roger van der Weyden's The Seven Sacraments (1445).

88401

Diptic de Jeanne de France

c. 1452-1470 Medium Oil on wood Dimensions 39 x 27 cm (15.4 x 10.6 in) cjr

86640

Diptych

Date c. 1440(1440) Medium Oil on oak panel Dimensions Height: 18.5 cm (7.3 in). Width: 12 cm (4.7 in). (each) cjr

70772

korsfastelsen

olja pa tra 60x96cm 1659 se

53672

Korsnedtagningen

mk234 about 1435 220x260cm

56679

kristi fodelse altartavlan i miraflores

mk248 ar 1440 bade van der weydens renomme natt anda till spanien, dar kung fuan ii av kastilien grundade klostret i miraflores, utanfor burgos, som en sista gest donerade ban en altartavla av master rogier, den store flam landske malandske malaren. pannan visar en vitkladd maria som symboliserar renbet medan betraktaren i rott byllar bennesformaga att utbarda smarta.

53674

Kvinnoportratt

mk234 about 1460 37x27.5cm

9874

Lamentation of Christ e

1450. Oil on panel.

9875

Madonna and Child

1450Oil on panel. Musee des Beaux-Arts de Tournai, Tournai, France.

9862

Madonna in Red e5

1440.Oil on wood Museo del Prado Madrid,

21249

Madonna with Four Saints (mk08)

c.1450 Tempera on wood 53x38cm Frankfurt am Main,Stadelsches Kunstinstitut

70771

madonnan med barnet

olja pa tra 12x18.5cm 1772 se

9870

Mary Magdalene ty

1445.Oil,transferred to modern panel. National Gallery,London

9871

Middelburg Altarpiece

Vision of the Emperor Octavian.

9873

Middelburg Altarpiece

Nativity.

9872

Middelburg Altarpiece eq

Three Magi.

9860

Miraflores Altarpiece

Cental left and right parts

45417

Museums Gemaldegalerie national Rogier van the Weyden the decapitation the Taufers

mk186 around 1455 Berlin foundation

89093

Pierre Bladelin Triptych

between 1445(1445) and 1450(1450) Medium oil on wood cyf

89094

Pierre Bladelin Triptych

between 1445(1445) and 1450(1450) Medium oil on wood cyf

89095

Pierre Bladelin Triptych

between 1445(1445) and 1450(1450) Medium oil on wood cyf

97633

Pieta

1448(1448) Medium oil on panel Dimensions 96 x 126.5 cm cyf

51159

Portrait Diptych of Jean de Gros

1450s Oil on oak panel, 38,5 x 28,6 cm

92134

Portrait Diptych of Laurent Froimont

1460s Medium oil on oak panel Dimensions Height: 49.3 cm (19.4 in). Width: 31.5 cm (12.4 in). cyf

92135

Portrait Diptych of Laurent Froimont

1460s Medium oil on oak panel Dimensions Height: 49.3 cm (19.4 in). Width: 31.5 cm (12.4 in). cyf

91000

Portrait einer Dame

2nd third of 15th century Medium oil on wood Dimensions Deutsch: 36 x 27 cm cjr

25879

Portrait of a Lady (mk45)

c.1460 Oil on oak panel. 34x25.5cm

25880

Portrait of a Lady (mk45)

1435/40 Oil on oak panel. 47x32cm Berlin,Staatlicher Museen zu Berlin-Preubischer Kulturbesitz,Gemaldegalerie

92115

Portrait of a woman

1464(1464) Medium oil on oak panel Dimensions Height: 36.5 cm (14.4 in). Width: 27 cm (10.6 in). cyf

9876

Portrait of Jean ER

de Gros.1450-60 Oil on panel. The Art Institute of Chicago

88726

Portrait of the Madonna

1450(1450) Medium Oil on oak panel cyf

9867

Portrait of Young Woman

Oil on panel. Gemaldegalerie

91036

Rogier van der Weyden

between 1445(1445) and 1450(1450) Medium oil on oak panel cyf

92131

Rogier van der Weyden

1445(1445) Medium oil on oak panel Dimensions Height: 21.7 cm (8.5 in). Width: 18.6 cm (7.3 in). cyf

9865

Sacraments Altarpiece

Confirmation, and Penance.

96909

Saint George and the Dragon

1432-1435 Medium oil on panel Dimensions 14.3 X 10.5 cm cyf

51676

Saint Michael Weighing Souls

nn09 detail of the last judgment 1443 Oil on wood 100x140cm

41967

San Lucas Painting to the Virgin one

mk166 1450 I Wave on wood 138x110cm Old art Gallery, Munich

61603

Self portrait as Saint Luke making a drawing for his painting the Virgin.

Self-portrait as Saint Luke making a drawing for his painting of the Virgin. The setting is derived from the Madonna of Chancellor Rolin by Jan van Eyck. Boston, c. 1440.

9864

Seven Sacraments

Oil on panel. Koninklijk Museum voor Schone Kunsten Antwerp, Belgium

91037

Seven Sacraments Altarpiece

between 1445(1445) and 1450(1450) Medium oil on oak panel cyf

91038

Seven Sacraments Altarpiece

between 1445(1445) and 1450(1450) Medium oil on oak panel cyf

83216

St Columba Altarpiece

Date ca. 1455(1455) Medium Oil on oak panel cjr

87305

St Columba Altarpiece

1455(1455) Medium Oil on oak panel cyf

91032

St Columba Altarpiece

1455(1455) Medium oil on oak panel cyf

91033

St Columba Altarpiece

1455(1455) Medium oil on oak panel cyf

91034

St Columba Altarpiece

1455(1455) Medium oil on oak panel cyf

91035

St Columba Altarpiece

1455(1455) Medium oil on oak panel cyf

92133

St Columba Altarpiece

1455(1455) Medium oil on oak panel Dimensions Height: 138 cm (54.3 in). Width: 153 cm (60.2 in). cyf

92141

St Columba Altarpiece

1455(1455) Medium oil on oak panel Dimensions Height: 138 cm (54.3 in). Width: 70 cm (27.6 in). cyf

92142

St Columba Altarpiece

1455(1455) Medium oil on oak panel Dimensions Height: 138 cm (54.3 in). Width: 70 cm (27.6 in). cyf

89480

St John Altarpiece

between 1455(1455) and 1460(1460) Medium oil on oak panel cyf

89481

St John Altarpiece

between 1455(1455) and 1460(1460) Medium oil on oak panel cyf

92132

St Joseph

1445(1445) Medium oil on oak panel Dimensions Height: 21 cm (8.3 in). Width: 18.3 cm (7.2 in). cyf

83565

St Luke Drawing a Portrait of the Madonna

Date 1435(1435) Medium Oil and tempera on panel cjr

85320

St Luke Drawing a Portrait of the Madonna

Date first half of 15th century Medium Oil on canvas transferred from wood Dimensions Height: 103 cm (40.6 in). Width: 109 cm (42.9 in). cjr

91315

St Luke Drawing a Portrait of the Madonna

1435(1435) Medium oil and tempera on panel cyf

40969

St Luke Drawing a Portrait of the Virgin

mk159 Oil on canvas transferred from panel 102.5x108.5cm

83196

St Luke Drawing the Portrait of the Madonna

Date ca. 1450(1450) Medium Oil on oak panel cjr

84864

St Luke Drawing the Portrait of the Madonna

Date ca. 1450(1450) Medium Oil on oak panel Dimensions Height: 138 cm (54.3 in). Width: 110 cm (43.3 in). cjr

91020

St Luke Drawing the Portrait of the Madonna

1450(1450) Medium oil on oak panel cyf

40190

St Luke Drawing the Virgin

mk156 c.1440 Oil on canvas 102.5x108.5cm

9852

St. George and Dragon

c 1432 Oil on wood. National Gallery of Art,Washington

9857

St. Mary Magdalene Nicodemus, and a Servant.

40208

St.Columba Altarpiece

mk156 c.1455 Tempera on wood 138x153cm

40196

St.John Altarpiece

mk156 c.1446-53 Oil on oak panel 77x48cm

51687

The Annunciation

nn09 c.1435 wood 86x93cm

96280

The Annunciation

first half of 15th century Medium color on panel cyf

19996

The Annunciation (mk05)

Wood 34 x 36 1/2''(86 x 93 cm)Formerly in the Royal Gallery of Turin entered the Louvre in 1799

88079

The Deposition

c. 1435(1435) Medium Oil on oak panel cjr

23531

The Descent from the Cross (nn03)

c 1435/8 Oil on panel 220 x 262 cm 86 5/8 x 103 1/8 in Museo del Prado Madrid

29817

The Entombent

mk67 Oil on panel 43 5/16x37 13/16in Uffizi,Gallery

42847

The Exhumation of Saint Hubert

mk170 circa 1440 Oil on oak 88.2x81.2cm

86495

The Last Judgment

Date between 1446(1446) and 1452(1452) Medium Oil on wood cjr

86498

The Last Judgment

Date between 1446(1446) and 1452(1452) Medium Oil on wood cjr

86500

The Last Judgment

Date between 1446(1446) and 1452(1452) Medium Oil on wood cjr

86502

The Last Judgment

Date between 1446(1446) and 1452(1452) Medium Oil on wood cjr

91523

The Last Judgment

between 1446(1446) and 1452(1452) Medium oil on panel cyf

90540

The Last JudgmentPolyptych

between 1446(1446) and 1452(1452) Medium oil on panel cyf

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Rogier van der Weyden

Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance ... is, with Jan van Eyck, considered one of the greatest exponents of the school of Early Netherlandish painting. Rogier van der Weyden was born in Tournai as 'Rogier de le Pasture' (Roger of the Pasture) in 1399 or 1400. His parents were Henri de le Pasture and Agnes de Watr??los. The family had settled before in the city of Tournai where Rogiers father worked as a 'maître-coutelier' (knife manufacturer). In 1426 Rogier married Elisabeth, the daughter of the Brussels shoemaker Jan Goffaert and his wife Cathelyne van Stockem. Rogier and Elisabeth had four children: Cornelius, who became a Carthusian monk, was born in 1427, a daughter Margaretha in 1432. Before 21 October 1435 the family settled in Brussels where the two younger children were born: Pieter in 1437 and Jan the next year. From the second of March 1436 onwards held the title of 'painter to the town of Brussels' (stadsschilder) a very prestigious post because Brussels was at that time the most important residence of the splendid court of the Dukes of Burgundy. It was at the occasion of his move to the Dutch-speaking town of Brussels that Rogier began using the Dutch version of his name: 'Rogier van der Weyden'Little is known about Rogier's training as a painter. The archival sources from Tournai (completely destroyed during World War II, but luckily partly transcribed in the 19th and early 20th century) are somewhat confusing and have led to different interpretations by scholars. From a document it is known that the city council of Tournai offered wine in honour of a certain 'Maistre Rogier de le Pasture' on March the 17th 1427. However, on the 5th of March of the following year the records of the painters' guild show a certain 'Rogelet de le Pasture' entered the workshop of Robert Campin together with Jacques Daret. Only five years later, on the first of August 1432, Rogier de le Pasture obtains the title of 'Master' (Maistre) as a painter.[1] Many have doubted whether Campin's apprentice 'Rogelet' was the same as the master 'Rogier' that was offered the wine back in 1426. The fact that in 1426-1427 Rogier was a married man in his late twenties, and well over the normal age of apprenticeship has been used as an argument to consider 'Rogelet' as a younger painter with the same name. In the 1420's however the city of Tournai was in crisis and as a result the guilds were not functioning normally. The late apprenticeship of Rogier/Rogelet may have been a legal formality. Also Jacques Daret was then in his twenties and had been living and working in Campin's household for at least a decade. It is possible that Rogier obtained an academic title (Master) before he became a painter and that he was awarded the wine of honour on the occasion of his graduation. The sophisticated and 'learned' iconographical and compositional qualities of the paintings attributed to him are sometimes used as an argument in favour of this supposition. The social and intellectual status of Rogier in his later life surpassed that of a mere craftsman at that time. In general the close stylistical link between the documented works of Jacques Daret, and the paintings attributed to Robert Campin and Rogier van der Weyden is considered as the main argument to consider Rogier van der Weyden as a pupil of Robert Campin. The last mention of Rogier de la Pasture in the financial records of Tournai, on October 21, 1435, lists him as demeurrant ?? Brouxielles ('living in Brussels'). At the same time, the first mention of Rogier de Weyden is made as the official painter of Brussels. Therefore Rogier de la Pasture and Rogier Van der Weyden are thought to be one and the same painter. The post of city painter was created especially for Van der Weyden and was meant to lapse on his death. It was linked to a huge commission to paint four justice scenes for the 'Golden Chamber' of Brussels City Hall.[2] Different properties and investments are documented and witness his material prosperity. The portraits he painted of the Burgundian Dukes, their relatives and courtiers, demonstrate a close relationship with the elite of the Netherlands. The Miraflores Altarpiece was probably commissioned by King Juan II of Castile, since Juan II donated it to the monastery of Miraflores in 1445.

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